Part of the Song a Day Project!

This song will forever be tied to middle school French class in my head because I knew what savoir-faire before we covered it in class!

Youtube Link: Billy Joel - Why Should I Worry? [Disney's Oliver and Company] (click on the commentbox thingy to close it =d )

Embed and lyrics after the cut )

Hat tip: [personal profile] renay over here — I don't actually know/remember why the connection fits but it so does
Part of the Song a Day Project!

Apparently at some point, Kubo Tite (Bleach) chose this as Rukia's theme song, whcih was definitely news to me, as I picked it out of my music list and then saw Rukia all over the youtube comments. Huh! I know this song from some point in high school, I think before Bleach came out. But what a neat convergence, seeing as I like Rukia a lot. Huh!

Youtube Link: Ashley MacIsaac - Wing-Stock


Where Memory Rests


Fandom | Cast: Thief: Deadly Shadows (small throwbacks to TDP, TMA). Garrett.
Rating | Warnings: No warnings besides those applicable to the game itself. No violence.
Words: 2,300.
Feedback: Always welcome, any kind!
Notes: Done for an [community profile] areyougame prompt: March 25 - Thief: Deadly Shadows, Any: Anything, I just want ficcage for this game!. Many thanks to [personal profile] owlmoose, [personal profile] seventhe, and [personal profile] stealth_noodle for variously holding my hand and lightning fast betas.


Summary: You once said you couldn't think of a way to cram more misery into one building's history.

Well. Looks like you've found one.





( Where Memory Rests on AO3 )


( Where Memory Rests on [community profile] areyougame )




Notes )


x-post: Hosted on A03. Original version on [community profile] areyougame [here].
Or, you know. Just get to know people.

So guess what, flist! I'm socially awkward. SURPRISE RIGHT??? You are BLOWN AWAY.

Lately I have been spending a lot of time at cafes with wireless — basically JUST so I could spend some time outside of work/house because I realized that I had barely left the apartment for like a year. You know how I joke about being a hermit? Well I wasn't joking you see >.>

And well. At one of the cafes, the Starbucks by my work, there are some interesting people. People who know my order! Because creature of habit, that is me. There is a kinda nerdy girl with awesome glasses, a guy with dreads TOO AWESOME to fit under his starbucks hat so the hat just kind of perches on top at totally random angles, a tall guy with a shaved head and HUGE ADORABLE EYES (@[personal profile] general_jinjur: think Gerard Way), and a tiny girl who is just like. IDEK. Basically uhhhh my type: small without looking fragile and 100% adorbs.

In case you COULDN'T TELL the latter two folks rather ping my makeouts-o-meter, but all of them seem like they would be really cool to know just in general.

Problem! They're all at Starbucks! Which is their place of employment! In the service industry!

Is there any way to invite further association with them without coming off as Creepy McCreepershark? They seem to like me! But then I like. Respect people in the service industry? And like smile at them and treat like them YOU KNOW, MAYBE THEY ARE PEOPLE. So maybe they are just reacting to me not being a douche to them. Idek guys, I am hermitty hermit who is a socially awkward hermit; I dunno how to read these things!

But still, it would neat to have friends in the area. ... especially that smaller girl >.> The partner keeps saying I should just give her my number XD

On a more serious note! I know this can be really uh. Not awesome. If it's a guy trying to hit on a woman while she's at work. That is generally just like megacreeps. There are worse and better ways to do it, but you start off with the woman in a bad position, especially if it's a job in a service industry or he otherwise has power over her. So that's not awesome. I am not a guy though, I am kind of on the opposite end of the power differential there, and pretty much I think it would just be awesome to get to know these people! So idk. Help?
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

Oratory well done has a cadence and rhythm that makes it beautiful and compelling — musical. The strong musical and lyrical flow of good oratory is one of the ways it appeals to us and moves us.

And then someone takes a speech and transforms it into something... more. There are other instances of this practice, but today I want to show one of my favourites: Winston Churchill's Great Declaration in 1941 (one fine, fine piece of rhetoric) backed by a few wayward time travellers. As with the Disney-derived techno remix I started this week is, I love the unexpected quality of it, strongly contextualizing a piece of our cultural history in the present.


Youtube Link: The Gregory Brothers - Lift Up Your Hearts.

Lift up your hearts
All will come right
Out of the depths
Of sorrow and of sacrifice
Will be born again the glory of mankind



Pieces used in arrangement after the cut )

When we interact with our culture and cultural output in transformative ways, we transform the source, we transform ourselves, and we transform our culture. And we get Winston Churchill with time travelling musicians.

And this is another reason I support the OTW.



23-29 March 2011 OTW Membership Drive
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

While a song itself may be original — it can exist in a transformative context. Today's song is from RENT, which is an AU musical version of the opera Le Bohème. I picked Light My Candle because it's one of the points of closes convergence between the two works. If you check out the libretto (search for Rodolfo/Roger's line "I have no inspiration." to hop to the right part), you can see how closely the two match!


Youtube Link: RENT - Light My Candle.


Pieces used in arrangement after the cut )

Hat tip for the lyrics.

Awesome AU songs are another reason I support the OTW.
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

Another approach to combining source works is the mashup, which often take the form of vocals from one piece together with the instrumental track of another (though many variations exist!). Today's mashup mixes the vocals from Metallica's Enter Sandman with the instrumental from Bryan Adams' Run to You. Particularly given Metallica's history with copyright enforcement, it's interesting to see people interacting with their output and producing something new and different out of the combination.

Youtube Link: Wax Audio - Enter You.


Pieces used in arrangement after the cut )

Mixing and remixing works like this, creating something new by interacting with our culture and combining works — this is another reason I support the OTW.
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

Today, I want to feature a fanwork that's both a medley and a cover — an instrumental version of music from The Legend of Zelda: The Wind Waker and other Zelda games, arranged and performed by this fan, based in part on a medley present in the end credits. The music from this game is still under copyright — and I want to protect and celebrate the right and ability of fans such as this one to create and distribute their own takes on the source material they interact with.

This is a really lovely piece, and as I've mentioned before I have a definite soft spot for videos such as this, where you watch each part performed as it comes in. While there are no lyrics, I'm putting the list of songs/music used behind the cut.

Youtube Link: Fredrik Larsson - Wind Waker Unplugged.


Pieces used in arrangement after the cut )

Listening to amazing stuff like this is another reason I support the OTW.
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

While works in the public domain are most commonly and easily adapted, the art of the cover is alive and well. Many covers consciously try to stay within the genre, style, and overall feel of the source work while just giving it the unique touch of the cover artist, a time-honoured and valuable practice. But there are also many covers that take a source work and do something pretty... different with it.

One such is the Da Vinci's Notebook cover of Stuck In The Middle With You, which takes the original by Stealers Wheel (itself a parody of Bob Dylan's work) and redoes it entirely in DVN's distinctive comedic, upbeat a capella style.

But there's a specific subclass of this style of cover that I'd like to highlight: taking songs originally performed by or in a style associated with US Black musical artists and styles, and consciously subverting the source work by putting them in what's perceived as a culturally diametrically opposed style (usually something with White associations). There's a lot going on in this practice — it's appropriative (aggressively so!) and problematic — but in many cases it's also a very conscious commentary on race, class, misogyny, and other concepts.

One such is Jonathan Coulton's cover of Baby Got Back (there's a studio version but I like the live one better, where you can see Coulton's reactions and opinions, as well as the audience participation), original by Sir Mix-a-Lot (itself cultural commentary! "she's just so.... black!"). But the one I really want to feature today is the Dynamite Hack cover of Boyz In The Hood, the source originally by Eazy-E and styled Boyz-N-The-Hood. This is definitely best listened to while also watching the vid, so do that if you can to get the maximum on the conscious commentary angle. I do want to warn for some language and violent imagery in the lyrics (totally played with in the corresponding parts of the video).

Youtube Link: Dynamite Hack - Boyz In The Hood.


Lyrics after the cut )

This is problematic — but it's undeniably transformative and a very interesting snapshot of some complicated interactions in our culture. And this is another reason I support the OTW.
Part of the Song a Day Project! Also part of Transformative Songs Week in honour of the OTW March Drive.

One of the oldest musical traditions is the regional or individual take on a known or shared tune. Music has a rich history of sharing and communal performance — the particular performance is at least half the magic, and that, not the piece of music itself, is the thing that is unique to the given performer. Today, a lot of this tradition is restricted to public domain works — but there's still plenty of room to create something with a unique and fascinating take on a source work.

This piece (itself a re-release of a related group) combines "Carol of the Bells" and "God Rest Ye Merry Gentlemen" — and something totally unique to this group: their style.

Youtube Link: Transiberian Orchestra - Christmas Eve/Sarajevo 12/24

Embedding is disabled on this vid, so please click through!

I support this kind of work — interaction with our past, our history, that contextualizes it in a way relevant to our time, that transforms past works into something unique and uniquely our own.

And that is another reason I support the OTW.
Part of the Song a Day Project! Also part of Transformative Songs Week!

So hey, it's the March Drive at the OTW, and this seemed like a good time to feature some transformative works as songs!

I really love this remix — it's unexpected (especially in terms of historical periods associated with the source material versus the remix), it gives a new way of looking at the source material, it builds something unique and lovely out of existing cultural output.

But one of the other reasons I wanted to feature this work is that Disney is pretty much one of the biggest reasons that copyright law is the way it is in the US. So here's for pondering: the juxtaposition between this lovely transformative work, and the sociopolitical context in which it's made.

Youtube Link: Pogo - Wishery



Transformative works are legitimate. And beautiful. And that is one reason why I support the OTW.



23-29 March 2011 OTW Membership Drive
Part of the Song a Day Project!

Could use some sunshine in my life! And brass instruments have this amazing ability to make any song sound more up and happy.

Youtube Link: S Club 7 - Reach


Lyrics after the cut )
Part of the Song a Day Project!

How much do I love modern folk songs? Oh. Oh, you'll learn how much.

Please pardon the obnoxious ending and slow start for the youtube vid — it's my favourite recording and I couldn't find any other copies =\

Youtube Link: Stan Rogers - Barrett's Privateers

I was told we'd cruise the seas for American gold
We'd fire no guns, shed no tears
Now I'm a broken man on a Halifax pier
The last of Barrett's Privateers



Lyrics after the cut )
Part of the Song a Day Project!

Yes, seriously. I never watched the show, but I always loved the opening. There's a full version, but I've always liked the shorter opening theme cut better =)

Youtube Link: Gary Portnoy - Where Everybody Knows Your Name [Cheers Opening]

Sometimes you want to go
where everybody knows your name



Lyrics after the cut )
Part of the Song a Day Project!

I actually like the music video a lot, and frankly that doesn't often happen when it's basically a bunch of ladies dancing for the camera? But what feels different for me here is that it really doesn't like like "yeah aren't we so sexy" and more like "bodies are neat! look at how we can move ours!". Judging by their fantastic isolations, I really think these ladies must have taken bellydance lessons or something (supported by spotting a couple legit bellydance moves). Anyway, fun song, fun vid, fun clothes.

Youtube Link: miss A - Breathe



Usually, I try my best to provide lyrics, even if it's in a foreign language. However, up to now I've had at least some familiarity with every language — and I just do not know enough about Korean to judge whether the romanizations or translations I've found are accurate. So! Rather than doing someone's language wrong and/or perpetuating incorrectness I'd... rather not do either of those things. If someone out there has reliable/accurate sources for this, I would love to have them (with credit)! Thank you, and apologies ♥
 
 
 





Hey all! The OTW bought new servers and had a nominations festival to think up names for the machines. Now the shortlist and poll are out, and a whole lot of awesome names are on there! Including!

*deep breath*

Aerith & Tifa, Agrias, Chun-Li, Dick Grayson, Ed Elric, GLadOS, Hawkeye & Olivier, Ico & Yorda, Izumi, Jade Curtiss, Lucca Ashtear, Nico Robin, Sailors Neptune & Uranus, Samus Aran, Terra, Tsunade, Uhura, and Zelda!

And so you should definitely vote for these or the awesome names of your choice!

Vote Now! Voting Closes March 22



I've thrown together a bunch of banners for the above. Feel free to promote them and spread the word; hotlink at will! Some of these are in the same category, so they're actually in conflict in the polls but I DON'T CARE THEY'RE ALL AWESOME


More banners! )

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